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The Mythic Map

Using the Mythic Layer

When to think in stories, when to think in structure — and how to use both for self-understanding and clinical practice.

Icosa

The Icosa model speaks two languages for the same reality. This page shows when to use which — and provides four reflection exercises for working with the mythic vocabulary on your own.

Two Languages for the Same Reality

The structural register is positional and precise: “Open Under, Emotional Over — Regulating path before Opening work.” One practitioner can write this in a note and another practitioner, reading it weeks later, knows exactly what was observed, recommended, and why.

The mythic register is narrative and evocative: “The Guardsman in the Rapids — the gate is locked and the water is rising.” A person who hears this and sees themselves in that image has an experience that structural language alone does not replicate. Not because the structural statement is wrong, but because recognition is a different event than comprehension.

Neither register is superior. A practitioner who works only in the structural register has precision without poetry. One who works only in the mythic register has story without structure. The most effective work moves between them as the situation demands.


When the Mythic Frame Helps

For Narrative-Minded People

Some people organize their inner lives through stories, roles, and chapters. For them, the mythic frame is the natural language of self-understanding. A person who describes experience in terms of walls, journeys, and landscapes is already thinking mythically. The practitioner’s contribution is giving that natural thinking precise vocabulary that carries the full weight of the model behind it.

A forty-two-year-old writer enters coaching because his creative output has stopped. He describes feeling as though he lives behind glass, the world happening on the other side of a window that will not open. The structural observation is Open Under, Mental Centered — the Guardsman at the Vista. His mind is sharp; his gates are locked. The practitioner introduces the Guardsman: a man in armor standing in a place of perfect visibility but unable to lower his visor. The writer immediately recognizes himself in the image.

For People Who Find Clinical Language Alienating

Hearing “Open Capacity Under in the Emotional Domain” can feel like being sorted into a taxonomy. “The Guardsman in the Rapids” carries the same content, but the Guardsman is a character with a story, not a coordinate on a grid. Every figure maps to exactly one capacity state. Every land maps to exactly one domain state. The precision is identical. What changes is the register, from taxonomic to imaginative. For some people, this shift is the difference between understanding a model intellectually and feeling understood by it.

For Making Setbacks Part of the Story

The structural model describes states and paths — it locates a person and names the direction of movement. What it does not naturally provide is a story: a narrative arc that makes movement feel like a journey rather than a correction.

A twenty-nine-year-old social worker has been making progress on the Bridging path, moving from the Exile toward the Weaver. Then a friendship betrayal sends her back behind walls. In structural terms: regression to Bond Under. The mythic frame transforms the experience of setback. Regression is not failure but a return to familiar territory — territory the person has already learned to traverse. The Exile does not become the Weaver in a single crossing. The journey toward the Village includes retreats to the Hermitage. The path remains. The Homeland still exists. The direction has not changed.

For Existential Territory

When the work involves purpose, identity, meaning, or belonging, the mythic register is often more useful than the structural one. “The Exile in the Mist” is not merely “Severing in the Mental Domain” — it is a person alone in fog, unable to see clearly enough to know who they are. “The Statue in the Temple” is not merely “Freezing in the Spiritual Domain” — it is a figure who stands in the presence of meaning and cannot move. Existential questions are lived questions. The mythic vocabulary meets them where they live.


When to Use the Structural Register Instead

Precision requirements. Documentation, diagnostic communication, treatment planning, and outcome tracking require structural language. “Open Under, Emotional Under — Opening and Sensing paths indicated, Domain work first” can be entered into a treatment plan. “The Guardsman in the Tundra” cannot.

Analytical people. Some people think in systems, structures, and categories. For them, the mythic register can feel patronizing. A software architect who wants to understand her grid position needs the Capacity-Domain-State framework, not the Guardsman metaphor. The register must match the person’s cognitive style.

Romanticization risk. The mythic register can make suffering feel noble rather than urgent. The Exile sounds dignified. The Guardsman sounds brave. When a person begins wearing the figure as an identity rather than recognizing it as a position, the frame has become counterproductive. The structural register supplies the correction: Bond Under is the position, the capacity is shut down, and the path forward is Bridging.

Action-priority moments. Behavioral activation, skill-building, crisis intervention, and resource connection all prioritize doing over understanding. Sometimes the person needs to stand up and walk around the block, not hear about the Statue and its frozen limbs. When understanding is not the bottleneck, set both lenses aside and work practically.

When to Use Which Register

ContextPreferred RegisterReason
Assessment and intakeStructuralPrecision for baseline mapping
DocumentationStructuralProfessional interoperability
Rapport buildingMythicRecognition builds trust faster than taxonomy
Reframing setbacksMythicJourney metaphor normalizes non-linear progress
Existential and identity workMythicStories inhabit the territory that structures describe
Progress trackingBothStructural for measurement, mythic for felt sense
Skill-buildingStructural (or neither)Action requires direction, not narrative
Crisis interventionStructuralPrecision and clarity take priority

Self-Reflection: Identifying Your Figures and Lands

You do not need a practitioner to begin working with the mythic vocabulary. The following questions can help you locate yourself on the mythic map.

Finding Your Figures

For each capacity, ask which state fits your current experience:

Open (Reception): When life brings you something — a sensation, a feeling, an idea, another person’s presence — what happens? Do you feel a gate closing, blocking it before it arrives? That is the Guardsman. Do you receive it, feel it, and let it pass through? That is the Innkeeper. Are you overwhelmed, unable to stop the flood? That is the Drowner.

Focus (Attention): Where does your attention go, and can you direct it? Does it scatter, drifting from point to point without settling? That is the Wanderer. Does it land where you place it and hold there without gripping? That is the Seer. Does it lock on one target and refuse to release? That is the Obsessor.

Bond (Connection): How do you relate to others? Have you cut the thread, surrounded by people you cannot reach? That is the Exile. Do you hold connection with clear awareness of where you end and the other begins? That is the Weaver. Has the boundary between you and others dissolved? That is the Devourer.

Move (Expression): What happens when something inside you needs to come out? Does it freeze, unable to make the journey from interior to exterior? That is the Statue. Does it flow — the right words at the right moment, the right action at the right intensity? That is the Dancer. Does it explode, bypassing all shaping? That is the Berserker.

Finding Your Lands

For each domain, ask about the condition of the territory:

  • Physical: Is your body present and alive (Garden), absent and offline (Wasteland), or so loud it drowns everything else (Jungle)?
  • Emotional: Are your feelings flowing and accessible (Spring), frozen and inaccessible (Tundra), or flooding and uncontainable (Rapids)?
  • Mental: Is your mind clear and spacious (Vista), foggy and blank (Mist), or racing and uncontrollable (Storm)?
  • Relational: Can you hold both yourself and others in view (Village), or has the field shrunk to only yourself (Hermitage) or expanded until you have disappeared (Commune)?
  • Spiritual: Do you have a sense of direction and meaning (Temple), or has meaning gone absent (Void) or become all-consuming (Shrine)?

Four Reflection Exercises

Exercise 1: The Five-Territory Scan

Set aside fifteen minutes. For each of the five domains, close your eyes and ask a single question. Write the first answer that arrives — do not edit.

  1. Physical (Body-lands): “When I pay attention to my body right now, what do I find?” Cracked earth (Wasteland), tended ground (Garden), or wild overgrowth (Jungle)?
  2. Emotional (Heart-lands): “What is the temperature of my emotional life this week?” Frozen (Tundra), flowing (Spring), or flooding (Rapids)?
  3. Mental (Mind-lands): “How clear is my thinking today?” Fogged (Mist), open (Vista), or racing (Storm)?
  4. Relational (Kin-lands): “When I think of the people in my life, can I hold both their experience and my own?” Self-only (Hermitage), balanced (Village), or self-erased (Commune)?
  5. Spiritual (Spirit-lands): “Does my life feel like it is going somewhere?” Directionless (Void), oriented (Temple), or consumed by purpose (Shrine)?

Now read your five answers together. This is your current map — five lands, one per territory. Notice which territories are centered and which are not. For the off-centered ones, name the path: what would it take to move from where you are toward the Homeland?

Exercise 2: The Figure You Know Best

Think of the figure you recognize most readily in yourself. Most people have one that feels immediately familiar — the one they have inhabited longest or most recently. Write down its name.

Now ask three questions about this figure:

  1. When did it arrive? Can you identify a time in your life when this figure first became your default in some domain? The Guardsman does not appear from nowhere. Neither does the Exile or the Statue. Something happened — or something accumulated — that dropped this capacity below center.
  2. Where does it live? In which domain(s) does this figure most commonly appear for you? The Guardsman in the Emotional Domain is a different experience from the Guardsman in the Physical Domain. Be specific about the territory.
  3. What is it protecting? Under figures are almost always protective. The Guardsman bars the gate for a reason. The Exile severs the thread for a reason. The Statue freezes for a reason. What would happen if the protection were removed? The answer to this question often points toward the work that the path requires.

Exercise 3: Imagining the Homeland

Choose one off-centered position you identified in Exercise 1 or 2. Name the Harmony at its destination — the intersection of the centered figure and the centered land.

Now spend five minutes writing what life would look like from that Homeland. Not as an abstract ideal, but as a specific, ordinary day. What would the Innkeeper in the Spring (Empathy) feel like at breakfast? How would the Dancer at the Vista (Agency) handle a difficult email? What would the Weaver in the Village (Belonging) experience at a family gathering?

The purpose of this exercise is not to create a fantasy but to make the destination concrete. The mythic vocabulary works best when it names a place you can imagine actually inhabiting — not a distant paradise, but a version of your own life where this particular capacity is working as designed in this particular territory.

Exercise 4: The Weekly Journey Log

For one week, spend two minutes each evening noting:

  • Today’s figure: Which figure showed up most prominently today? In which domain?
  • Today’s land: Which territory felt most alive or most depleted?
  • Any movement: Did you notice any shift — a moment when the Guardsman lowered the visor, even briefly? A patch of green in the Wasteland? A moment of stillness in the Storm?

At the end of the week, read the seven entries together. Look for patterns: figures that recur, lands that persist, moments of centering that happened without effort. These patterns are the raw material of your centering work.


For Clinicians: Integrating the Mythic Layer

Introduction Technique

Start with the figure the person is living. Introduce it as a description, not a label — held lightly, tested against self-recognition, refined through dialogue. “There is a character in this model that describes the pattern showing up here. The model calls this character the Guardsman.” If the figure does not resonate, adjust the framing or shift to the structural register entirely. The mythic vocabulary is a tool, not a requirement.

Connect the figure to the person’s own language. If they say “I feel frozen,” introduce the Statue. If they say “I feel like I am drowning in everyone else’s feelings,” introduce the Drowner. Each mythic image should feel like a more precise version of what the person is already saying.

Introduce the Homeland before the journey. The person needs to see where they are going before engaging with how to get there.

The Guardsman’s destination is the Innkeeper — someone who can welcome what arrives without being overwhelmed. Name the destination first. Then name the path.

Sustaining the Frame Over Time

Once established, the mythic vocabulary becomes a shared language. “How is the Guardsman today?” carries the entire history in four words. Three practices sustain this over time:

Track the journey, not just the position. “Three months ago, the Guardsman was in the Tundra. Today, the Guardsman is still in the Tundra, but there is a patch of green near the left foot. Something is thawing.” Progress invisible in the structural register becomes visible in the mythic register as a change in the landscape.

Use the Homeland as anchor. Return periodically to the destination. The Innkeeper in the Garden, the Weaver in the Village — these provide an image the person can hold during difficult work.

Let the person name their own experience. Once the vocabulary is established, spontaneous use follows. “I was the Drowner this week” means boundaries dissolved. “I found a patch of Garden” means a moment of embodied presence. Such uses are signs the frame has been internalized — that it has become the person’s own language.

Beyond Therapy

The mythic vocabulary extends wherever people work with human transformation: coaching, education, spiritual direction, organizational development. A coach working with someone who cannot take action has the Statue and the Thawing path. An educator working with a student who shuts down under pressure has the Guardsman in the Rapids. A spiritual director working with someone consumed by their practice has the Drowner in the Shrine.

In each setting, three names constitute a complete framework: a name for what is happening (the figure in the land), a name for where the person is headed (the Homeland), and a name for the movement between them (the path).

The mythic layer is a bridge between the precision of the Icosa model and the felt reality of human experience. Whether you use it for personal reflection or clinical practice, the same principle holds: name where you are, name where you belong, and name the path between them. The journey begins with recognition.

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